In solitude: The Confidence at Drottningholm, from Royal Hermitage to Political Stage / Alexander Holm
The Confidence at Drottningholm, situated adjacent to the Chinese Pavilion, forms part of the eighteenth-century European tradition of the Hermitage: a secluded retreat where royalty and princes could withdraw “in solitude.” This paper explores the creation and development of the Confidence under Queen Lovisa Ulrika, considering its architectural and cultural inspirations, including connections to her brother’s court in Potsdam, as well as the ideals and practices associated with the Hermitage. Particular attention is given to the building’s transformation and use, including Gustav III’s assumption of ownership in 1777 and the changes that followed. The paper further examines the table volante with its sophisticated stage-like machinery incorporated into the building, its designers and craftsmen, and its relationship to the machinery at the Drottningholm Court Theatre. Finally, the paper considers the building’s later restorations and conservation history, asking how its architectural, technical, and cultural heritage can be understood and preserved today.